Our mail order service is still open for business and we can still deliver on time in the majority of cases. Please be aware that due to the global pandemic, some delivery services may be experiencing a slight delay! Dismiss
The Unmistakeable Sound of Independence since 1978 | Call to order: +44 (0)20 8996 3120
No composer had a greater appetite for revolution than Stockhausen, who was embarking on a quest that would occupy him for more than half a century, and which would take in a whole gamut of constantly re-defined objectives - among them "point music", "spatial music" and "multi-formula composition".
Our presentation comprises musical selections from Kubrick's central masterpieces, complimented by pieces which the director used as 'temp tracks' during the production and by all accounts with every intention of using these in the film, only to decide to replace them late on.
A unique presentation. A mixture of diegetic and non-diegetic music from the westerns John Wayne and his mentor, the great film director John Ford made together - from Stagecoach in 1939 through to The Man Who Shot Liberty Valance in 1962, where songs and music from the original scores are blended with recordings made by popular artists (mostly of 1950s vintage, or older) of songs heard in the films. In all, music from eight eternal westerns, a genre which Ford and Wayne both defined and long-dominated
A 3 disc box set anthology recordings of the compositions of the pioneering twentieth century avant-garde composer Edgard Varèse, spanning a period of almost three decades - from the first recording of one of his compositions, the Nicolas Slonimsky conducted Ionisation, in 1933.
· Most people will know the music of Frank Mills without even realising.
· From the mid to late seventies Frank enjoyed phenomenal success world-wide with his trademark "lounge" music, in particular the ‘Music box Dancer’ single which has received more than two dozen gold albums, over one million radio plays not to mention the coveted Grammy nomination in 1980.
· Let Frank soothe you!
The Vernons Girls were originally a choir that were formed as part of the social activities of the Liverpool-based Vernon's football Pools company. The company saw it as a unique form of promotion and initially sponsored the project. At first, the singers were drawn exclusively from the staff of young women who checked the public's pools coupons. In the event, demand for the girls to give public performances grew far beyond expectation. Remarkably, women would seek employment with Vernons simply as a means of breaking into show business.
Regardless of the brilliance of Dudley Moore's celebrated comic partnership with Peter Cook, his marriages and abundant romantic assignations, the relationship which was surely most dear to him was with music. He could pull hilarious classical pastiches - like Beethoven 'variations on Colonel Bogey', and Britten's 'Little Miss Muffett' - out of seemingly thin air. The music he wrote with such nuance in 1968 for Stanley Donen's film Bedazzled has established an incredible reputation for that score as one of the best of the decade, while the popular Dudley Moore Trio proved to be the perfect vehicle for both his compositional explorations and joyful performance skills. Dudley displayed an intimate classical knowledge and jazz was in his very soul.
A classic 1967 Elektra edition, conceived by label head Jac Holzman, who claimed that the success of the Doors was a primary inspiration for the project, the Zodiac's Cosmic Sounds is a concept piece based on the twelve signs of the Chaldean astronomical zodiac.
For many, bossa nova is defined by the first three albums of Joao Gilberto and it has been said that if bossa found its Jesus in Gilberto, Its god was Antonio Carlos Jobim, a songwriting genius, who effortlessly composed much of the movement's prodigious songbook.
The Quiet Passion of Bill Evans is a three-disc box set anthology of collaborations, guest sessions and classic trio recordings made during the meteoric first seven years of the career of this extraordinary, internationally renowned, pianist.
The Cinema of Miles Davis showcases superior examples of the use of the great jazz trumpeter's music in film. This edition includes his first complete score, sultry and improvised, for Elevator To the Gallows - Louis Malle's directorial debut starring the eternal Jeanne Moreau - which came in late 1957, a decisive time for Miles; marking the ending of his hard-bop period and anticipating the modal phase that would culminate in A Kind of Blue.
With four Oscars, twenty Grammy awards and thirty million albums sold, Henry Mancini was one of the first personality composers of film music. Looking at jazz from a unique perspective, he created scores that were refined, witty, endlessly musical and instantly recognisable.
This five cd set showcases all of Lionel Bart's early triumphs including music from the historic productions of Oliver! which featured the young Steve Marriott - an outstanding Artful Dodger soon to be fronting Small Faces - Stanley Holloway, the English actor renowned for his comic monologues and songs, and from the original 1960 hit show Ron Moody's immortal Fagin, Georgia Brown's Nancy and a certain Barry Humphries as Mr Sowerberry, the undertaker.
The Swinger and The Pleasure Seekers, films featuring the charismatic Swedish actress Ann-Margret are quintessential 1960s Hollywood pop cinema; light and frothy, flawed, but full of period bric-a-brac and stylish music. The title song of The Swinger was written by André and Dory Previn and the score composed by Marty Paich with additional arrangements by Johnny Williams and Quincy Jones.
Having made an enormous contribution to the establishment of the Nashville Sound and the modernisation of country music, Anita Kerr felt the need to expand her artistic horizons and in 1965, made the move from Nashville to Hollywood. She wanted to work with different people, to get her own songs recorded, to play jazz, to conduct an orchestra, to take on more ambitious and more varied projects musically, and to form a vocal group which, rather than be confined to studio sessions, might also appear in club and concert settings.
An exciting television crime jazz double feature presentation from Ember's historical jazz vaults, two soundtracks of similar late '50s, early 1960s vintage; pairing Edwin Astley's score for the Associated-British production International Detective, starring Arthur Fleming, Millicent Martin and Nigel Green, with Tony Crombie's Manciniesque soundtrack music for the Danziger Brothers series Man from Interpol, with Richard Wyler in the lead role as Interpol Agent Anthony Smith, an officer from Interpol on assignment to Scotland Yard. Both scores are an impressive combination of widescreen modern big band and limpid, esoteric chamber jazz; befitting the cosmopolitan settings of each production.
Obscure, and often ridiculed during his lifetime, Erik Satie, the most unusual protagonist of the early 20th century French avant-garde, has transcended cult status and is now a composer whose modernity is at last appreciated.
In this edition, Satie for Two Guitars is complimented by an intensely coloured, very French recording of the composer's music for the controversial ballet Parade in a performance by the conductor Louis Fremaux with the Orchestre National de l'Opera de Monte Carlo.