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The Unmistakeable Sound of Independence since 1978 | Call to order: +44 (0)20 8996 3120
There are few artists in country music more highly praised, or influential, as Lefty Frizzell. With a vocal styling often imitated but never matched, he found one of his greater advocates in Merle Haggard though musicians such as Keith Whitley, Johnny Rodriguez and Randy Travis were amongst others who also acknowledged his influence on their work.
RE-PRESS: CD ORIGINALLY RELEASED IN 2018 .The four albums contained in this collection were released consecutively during the period 1977-1980, the productions broadened the boundaries of country music with their musicianship and song content, creating a framework in which Milsap’s vocals fitted perfectly.“It Was Almost Like A Song” (1977), was Ronnie Milsap’s eighth album for RCA and produced two No. 1 singles, the title track and ‘What A Difference You Made In My Life’. It won the CMA “Album of the Year” award.
David Blue was born on 18th February 1941. He wasn’t born David Blue, of course, but Stuart David Cohen and he came from Providence, Rhode Island. He moved to Greenwich Village in the early ‘60s and one day saw Bob Dylan writing the song that would become the great folk anthem ‘Blowin’ In The Wind’. Bob asked David to play the chords while he would create the verses. It was performed that night at Gerde’s Folk City.
Tammy was born Virginia Wynette Pugh on May, 5th 1942 in Tremont, Mississippi and always dreamed of being a country singer. No doubt success also had a place in that dream although great superstardom may not have figured in her imagination.
The three albums that Glen Campbell made for the Atlantic American label between 1982 and 1985 are on this 2CD set together with a rarity – the bonus track ‘They Still Dance To Waltzes In England’. This track was specially recorded for British release to coincide with his appearance at the 1984 International Festival of Country Music held in Wembley.
This collection comprises four original albums on 2 CDs that represent the diversity of the singer’s recordings, with the first two being his final country albums to be released by Columbia.
Here we have the four albums that Tanya Tucker recorded for Columbia Records available for the first time in one package: “Delta Dawn” (1972), “What’s Your Mama’s Name” (1973), “Would You Lay With Me (In A Field Of Stone)” (1974) and “You Are So Beautiful” (1977).
Four albums brought together for this double CD release present Hank Snow at his traditional best, covering titles from the Jimmie Rodgers songbook and tales of railroads and trains, both subjects dear to the singer’s heart.
Bobby Bare, and what was to become known as The Nashville Sound, go hand in hand. He was one of the most successful exponents of the sound and it opened up the doorway for his success in Nashville.
Features her two albums “The Sweetest Thing” (1976), “Tryin’ To Satisfy You” (1979) plus six bonus tracks. Includes 11 chart singles. Dottsy’s RCA recordings available for the first time on CD
Marty Robbins’ music diversity shows through in the four albums brought together for this collection, headed up with his much beloved western songs. “The Drifter” is the original 1966 release and includes ‘Mr. Shorty’, a lengthy story song that ranks among the finest of his gunfighter ballads.
So here we have Tammy’s first two solo albums from 1967 and 1968 containing two No. 1 singles ‘Take Me To Your World’ and Grammy winner ‘I Don’t Wanna Play House’. Other hit singles featured are ‘Apartment #9’ and ‘Your Good Girl’s Gonna Go Bad’.
Includes cover versions of top country songs of the time ‘Ode To Billie Joe’, ‘There Goes My Everything’, ‘Walk Through This World With Me’, ‘Almost Persuaded’ and ‘Don’t Come Home A’Drinkin’ (With Lovin’ On Your Mind).
This collection of 40 tracks from four complete albums provides plenty of opportunity for listeners to agree that country music really doesn’t get any better than this. It contains 14 hit singles including 11 #1s and 2 #2s.
Phil’s, was the higher register voice of the legendary Everly Brothers.
These are the two solo albums that Phil Everly recorded in London for the UK’s PYE label in 1974 and 1975.
“There’s Nothing Too Good For My Baby” (Released in the US as “Phil’s Diner”) was co- produced by Phil and Terry Slater who also co- wrote nine of the eleven songs, with help on ‘It’s True’ from Warren Zevon who had worked in the backing band of the Everlys and was about to launch his own solo career.
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