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In a Latin Bag - Cal Tjader

In a Latin Bag
Callen Radcliffe Tjader Junior is one of the leading exponents of music which owes as much to jazz as it does to Latin-America. On record he is seldom heard without a rhythm section containing bongo or congo drums while his knowledge of the intricate south-of-the-border rhythms is something of a legend.

This edition combines two fine Tjader albums that have been out of print for more than half a century. The 1961 set, IN A LATIN BAG, Tjader's debut album for Verve was produced by Creed Taylor and features Armando Peraza on bongos, Paul Horn on flute, Al McKibbon on bass, Wilfredo Vicente on congas, Johnny Rae on timbales and Lonnie Hewitt on piano. The material represents both edges of the Tjader blade. Pauneto's Point, Davito and Mambo in Miami are straightforward Latin vehicles, Green Dolphin Street, Speak Low and Misty are favourite jazz pieces, Paul Horn's Ecstasy and Half and Half are essentially jazz compositions that sound right with a Latin rhythm section, while Theme from Ben-Hur and Triste are mood pieces that defy categorisation.

The second part of our presentation is the live recording CAL TJADER - SATURDAY NIGHT, SUNDAY NIGHT AT THE BLACKHAWK, recorded at The Blackhawk Cafe in San Francisco over a weekend in late January 1962. Here Tjader, Hewitt and Rae are augmented by the young bassist Freddy Schreiber. This collection points up most aspects of Tjader's musical philosophy, from his identification with contemporary jazz (Benny Golson's Stablemates), and interest in new material (Gary McFarland's Weep), to his regard for the past (Stompin' at the Savoy) and affection for superior show tunes (Summertime). Cal's ability to stimulate his colleagues into new creative directions can be deduced, too, from Freddy Schreiber's Fred's Ahead and Lonnie Hewitt's Noonie's Groove, while the leader's own compositional skill is represented by the characteristically melodic 222 Time.




Available 17/03/2014

Our Price: £9.95
Code: ACMEM266CD
Weight: 200
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IN A LATIN BAG SATURDAY NIGHT, SUNDAY NIGHT AT THE BLACKHAWK, SAN FRANCISCO
1. THEME FROM BEN-HUR 11. SUMMERTIME
2. DAVITO         12. 222 TIME
3. GREEN DOLPHIN STREET 13. NOONIE'S GROOVE
4. PAUNETO'S POINT 14. THIS CAN'T BE LOVE
5. SPEAK LOW         15. STABLEMATES
6. TRISTE         16. WEEP
7. MISTY         17. FRED'S AHEAD
8. MAMBO IN MIAMI 18. STOMPIN' AT THE SAVOY
9. ECSTASY
10. HALF AND HALF
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New Wave - Expanded 2 CD edition
"With their 1993 debut album, New Wave, The Auteurs established themselves as one of England's best guitar bands of the early '90s” Allmusic.com

Fronted by Luke Haines, The Auteurs arrived on the cusp of shifting musical scenes. Madchester was dead, Britpop was about to be born. · Originally released in February 1993 on Hut Records, New Wave was the debut album by The Auteurs. Produced by Phil Vinall and Haines, the album featured the singles Showgirl and How I Could Be Wrong. The album was well received on release, perceived as being part of a nascent Brit-Pop scene, and was nominated in the second Mercury Music Prize in 1993 (won by Suede) and was in Q magazine’s Top 10 Albums of 1993.

This re-issue, featuring 34 tracks across 2CDs compiled by Haines, includes key b-sides, acoustic tracks, the band’s BBC Radio 1 session from 1993 and 6 previously unreleased 4 track demos straight from Haines’s archive.

The 2CD set comes in lavish packaging and includes brand new sleevenotes by Luke Haines.

RELEASE DATE: EARLY FEBRUARY 2014

ORIGINAL RELEASE

1. SHOWGIRL
2. BAILED OUT
3. AMERICAN GUITARS
4. JUNK SHOP CLOTHES
5. DON'T TRUST THE STARS
6. STARSTRUCK
7. HOW COULD I BE WRONG
8. HOUSEBREAKER
9. VALET PARKING
10.IDIOT BROTHER
11.EARLY YEARS
12.HOME AGAIN

BONUS MATERIAL: B-SIDES AND BONUS TRACKS


13.SUBCULTURE (THEY CAN'T FIND HIM)
14.SHE MIGHT TAKE A TRAIN
15.GLAD TO BE GONE
16.STAYING POWER
17. WEDDING DAY
18. HIGH DIVING HORSES

DISC TWO: BONUS MATERIAL – RARITIES, SESSIONS AND DEMOS RARITIES
1. HOUSEBREAKER - ROUGH TRADE SINGLES CLUB 7”
2. VALET PARKING - ROUGH TRADE SINGLES CLUB 7”
3. HOUSEBREAKER (ACOUSTIC)
4. JUNK SHOP CLOTHES (ACOUSTIC)
5. STARSTRUCK (ACOUSTIC)
6. HOME AGAIN (ACOUSTIC) BBC RADIO 1 SESSION - 1993
7. JUNK SHOP CLOTHES *
8. NEW FRENCH JUNKSHOP *
9. GOVERNMENT BOOKSTORE *
10.HOW COULD I BE WRONG * DEMOS
11.BAILED OUT (4 TRACK DEMO) *
12.AMERICAN GUITARS (4 TRACK DEMO) *
13.SHOWGIRL (4 TRACK DEMO) *
14.GLAD TO BE GONE (4 TRACK DEMO) *
15.STARSTRUCK (4 TRACK DEMO) *
16.EARLY YEARS (4 TRACK DEMO) *
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The Brazilian Scene

          • The centrepiece of The Brazilian Scene is Ze Maria's much sought-after LP,  Todo Azul. The organist is a darker version of Walter Wanderley with an eerie, reverberated sound. The set is at least a stylish mix of jazz samba and bossa standards from the songbooks of Tom Jobim, Vinicius de Moraes and Carlos Lyra, but the mystique surrounding the album must surely be attributed to the presence of seventeen-year-old Jorge Ben

Caetano Veloso affirmed that "Jorge Ben was not only the first great black composer since bossa nova, but more importantly, he was also the first to make his blackness a stylistic determinant." Associated with both bossa nova and Tropicalia, and the first man to play sambas on an electric guitar, on Todo Azul Jorge Ben contributes his first professional recordings; impressive versions of Por Causa de Você Menina and his signature tune, the propulsive Mas Que Nada, his first chart-topper in Brazil, and a monster hit for Sergio Mendes, a song that has been recorded no less than two hundred times.

Brazilian Scene also includes early recordings by another prominent Tropicalist, Gilberto Gil, songs from a fascinating 4 track EP originally released on JS records of Bahia. Gil defies easy classification. Over a long career, he has remained faithful to the musical diversity that was central to the creative principles of Tropicalia, that would be labeled 'cultural cannibalism'; samba, frevo, Jovem Guarda, choro, bolero, Anglo-American pop and rock an d avant-garde art music.

Some other key features of this edition are the delicious performances of One Note Samba and Consolacao by Tom Jobim and Baden Powell with Herbie Mann, Radames Gnattali's exquisite Sonatina for Flute and Guitar, performed by Laurindo Almeida and Martin Ruderman.

Heitor Villa-Lobos was a prophet of eclecticism and world music and ballet suite Uirapuru depicts the sounds of the Amazon forest. Complex, colourful and full of mystery

Finally, The Little Train of the Brazilian Countryman (O trenzinho do caipira) is the subtitle for the Toccata movement that concludes an orchestral suite written by Brazilian composer Heitor Villa-Lobos in 1930, titled Bachianas brasileiras No. 2. The subtitle refers to the local trains in the small communities of the Brazilian interior, the noises of which are imitated in the composition.


Available 13/03/2014


TRACK LISTING

ZE MARIA WITH JORGE BEN - TUDO AZUL BOSSA NOVA E BALANÇO

1. TUDO AZUL
2. POR CAUSA DE VOCÊ MENINA (VOCALS – JORGE BEN)
3. SAMBA DO AVIÃO
4. JAPONINHO
5. SÓ DANÇO SAMBA
6. JOÃO SEM VINTÉM
7. MAS QUE NADA (VOCALS – JORGE BEN)
8. INFLUÊNCIA DO JAZZ
9. A VIDA DO NEGRO
10. GAROTA DE IPANEMA
11. DEIXA EU FICAR
12. GOSTOSO É SAMBAR

ANTONIO CARLOS JOBIM WITH HERBIE MANN
13. ONE NOTE SAMBA

BADEN POWELL WITH HERBIE MANN
14. CONSOLACAO

GILBERTO GIL
15. SERENATA DO TELECOTECO
16. MARIA TRISTEZA
17. VONTADE DE AMAR
18. MEU LUAR MINHAS CANCOES

19. LUIZ BONFÁ - MURMURIO

RADAMES GNATTALI
SONATINA FOR FLUTE AND GUITAR
20. LENTO (CANTANDO COM SIMPLICIDADE)
21. ADAGIO
22. MOVIDO

LAURINDO ALMEIDA AND MARTIN RUDERMAN
HEITOR VILLA-LOBOS
23. THE LITTLE TRAIN OF THE CAIPIRA

24. UIRAPURU
LEOPOLD STOKOWSKI
STADIUM SYMPHONY ORCHESTRA OF NEW YORK








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