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Push (Deluxe Edition) - Bros

Push (Deluxe Edition)
· Formed in the late 80’s Bros were a British band, consisting of twin brothers Matt Goss and Luke Goss along with Craig Logan. Formed in 1986, they were managed by former Pet Shop Boys manager Tom Watkins.
· Push was their debut album and was released in 1988. The album reached #2 on the UK Top 40 and spawned five hit singles, including ‘I Owe You Nothing’ which reached #1 in June 1988. The album went 4× Platinum in the UK and spent 54 weeks on the UK Top 75 Albums chart.
· This 3-CD version contains all the available B-Sides and remix versions including the rare drop The Boy art mix all re-mastered from the original tapes
· An enhanced booklet with new sleeve notes by Super Deluxe Edition’s Paul Sinclair tell the story of the album and its place in pop history – all this wrapped up in a oversize booklet with photos and covers from the period.

Available 28/10/2013


Our Price: £11.99
Code: CRPOPT137
Weight: 200
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1. WHEN WILL I BE FAMOUS?
2. drop THE BOY
3. TEN OUT OF TEN
4. LIAR
5. LOVE TO HATE YOU
6. I OWE YOU NOTHING
7. I QUIT
8. IT'S A JUNGLE OUT THERE
9. SHOCKED
10. CAT AMONG THE PIGEONS
11. I OWE YOU NOTHING (7” MIX)
12. I QUIT (SINGLE MIX) 
13. drop THE BOY (SINGLE EDIT) 
14. WHEN WILL I BE FAMOUS (SINGLE EDIT)

1. THE BOY IS DROPPED - B-SIDE drop THE BOY
2. SILENT NIGHT - B-SIDE CAT AMONG THE PIGEONS
3. SHOCKED (LIVE) - B-SIDE SILENT NIGHT
4. THE BIG PUSH OVERTURE - B-SIDE I QUIT
5. I OWE YOU NOTHING (THE SHEP PETTIBONE MIX)
6. I OWE YOU NOTHING (PETTIBEATS)
7. I OWE YOU NOTHING (THE VOICE)
8. I OWE YOU NOTHING (CLUB MIX)
9.I OWE YOU NOTHING (THE BEATS)
10.I OWE YOU NOTHING (OVER 18 MIX)
1. WHEN WILL I BE FAMOUS? (THE CONTENDER DUB MIX)
2. WHEN WILL I BE FAMOUS? (INFAMOUS MIX)
3. WHEN WILL I BE FAMOUS? (CLUB MIX)
4. WHEN WILL I BE FAMOUS? (ACAPELLA MIX)
5. WHEN WILL I BE FAMOUS? (BONUS BEATS)
6. DROP THE BOY (ART MIX)
7. DROP THE BOY (SHEP PETTIBONE DUB MIX)
8. DROP THE BOY (SHEP PETTIBONE MIX)
9. I QUIT (ACID DROPS)
10.I QUIT (THE 'TURN-ON' MIX)
11.I QUIT (THE ACIDIC MIX)
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Different Light
Different Light is an album by The Bangles released in January 1986. It is their best known album, with a Top 5 hit single and a No. 1 hit. The album s Top 40 sound was a departure from their earlier 60s style sound. This was the first album in which bassist Michael Steele sings lead vocals on some tracks.

Three of five singles were written by someone other than the Bangles: Manic Monday (written by Prince under the pseudonym Christopher), If She Knew What
She Wants and Walk Like An Egyptian . The other two singles were Following and Walking Down Your Street .

This reissue contains a whole bonus disc of rare b-sides some appearing for the first time on CD and the booklet is packed with rare covers and a note by Mojo’s Daryl Easlea.
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I Ran - The Best Of
One of the most infamous 80's bands to burst out from synth-heavy and ruthlessly stylish New Romantic movement into the New Wave scene, A Flock Of Seagulls come to Anagram with "I Ran (The Best Of)" (CDMGRAM 181). A Flock Of Seagulls enjoyed chart success all over the world, especially in the USA where their haircuts have became a singular expression of 80's excess and style. This hits collection, featuring singer Mike Score's newly recorded, true to the original versions of The Seagull's best loved songs, including "I Ran", "Space Age Love Song", "Wishing (If I Had A Photograph Of You) and "Nightmare", is guaranteed to have you banging on your air synth while it transports you back to the 80's.
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The Time
The long awaited reissue of Bros' 2nd album The Time.

This 16 track CD, features the 11 original tracks of the album plus 5 bonus tracks.

The album peaked at number 4 in the UK album charts.

Originally released in 1989, the album contains 4 hit singles, Too Much #2, Chocolate Box #9, Sister #10 and Madly In Love #14.

5 bonus tracks are included on this CD, featuring the 12" versions Too Much (Extended Version), Chocolate Box (Swing Mix), Sister (Remix) and Madly In Love (Joe Smooth 12" Version) and a b/side Astrologically.

A comprehensive booklet featuring sleeve notes and a full UK discography featuring many of their sleeves.

Bros exploded on to the charts in 1987 with their "When Will I Be Famous" single that peaked at number 2. From there the band went on to enjoy a total of 11 hit singles and 3 Top 20 albums. They sold out tours and broke record/CD sales and created a teenage girl hysteria that was reminiscent of Beatlemania. They band went from being a trio with their first album to a duo for the The Time album following the exit of bassist Craig Logan. The band released a further album Changing Faces in 1991 before their eventual spilt in 1992.

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SCARED TO GET HAPPY A STORY OF INDIE-POP 1980-1989
SCARED TO GET HAPPY (A Story Of Indie Pop 1980-1989) is the first box set ever to document the explosion of Indie Pop in Britain across the 1980s. Compiled in loosely chronological fashion, the five CDs chart Indie Pop’s development from the post punk era and the dominance of Scottish bands through to its genre-defining C86 period and onto the end of the decade, with the arrival of Madchester and the shoegazing sound.

Inspired by the Nuggets compilations, the box set boasts 134 tracks spanning the Eighties, drawn from all the key labels of the period – Creation, Factory, Cherry Red, Rough Trade, Sarah, Subway Organisation, Zoo, Kitchenware, Pink, Chapter 22, In Tape, Medium Cool, Lazy, Dreamworld, 53rd & 3rd, Ron Johnson, el, Vindaloo, Red Rhino, Food, etc.

Many of the bands later tasted mainstream success: Primal Scream, Aztec Camera, Stone Roses, Pulp, the Wonder Stuff, Lloyd Cole & The Commotions, the Inspiral Carpets, the Soup Dragons, the Wedding Present, James, the La’s, del Amitri, the Primitives, the Jesus & Mary Chain, Prefab Sprout, the Shamen, Cud, the Bluebells, Black, the House Of Love, Strawberry Switchblade, Pop Will Eat Itself, the Darling Buds, Fuzzbox, That Petrol Emotion, the Railway Children, Jamie Wednesday (as Carter USM), the Milltown Brothers and the Boo Radleys.  

The box set boasts a stylish 54-page booklet with a lengthy sleeve-note detailing each track and illustrations of the records and bands involved.

A few tracks (Strawberry Switchblade, Soup Dragons, Bluebells, Close Lobsters, etc.) have never officially been released before. Many others are extremely rare and make their debut on CD.

SCARED TO GET HAPPY will be promoted by a mini-festival at London’s 229 club on June 22nd, with an impressive roster: the Primitives, the BMX Bandits, the Brilliant Corners, the June Brides, Mighty Mighty, the Wolfhounds, the Popguns, 14 Iced Bears, the Blue Orchids and Yeah Yeah Noh.  

RELEASE DATE: 24/06/2013
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Electronic Music for the Mind and Body
Five historic electronic compositions from a quartet of important modern twentieth century composers, Stockhausen, Cage, Ligeti and Xenakis.

With the breathtaking, meticulously organised Kontakte, Stockhausen demonstrated his musical and dramatical genius and that he was an incredible inventor of new sounds. The piece has been described as 'a unique document of analogue electronic music production methods, and a valuable guide to the composer's art of creative self-provocation.'

Kontakte is perhaps Stockhausen's best known work and this version for electronic sounds was realised by the composer between September 1959 and May 1960. The alternate, Kontakte for electronic sounds, piano and percussion, utilises the same electronic tape but did not emerge until later. In the sixties, everybody was talking about Stockhausen. Paul McCartney had Abbey Road engineers dissect Kontakte (along with the composers' other major work of the period, Gesang der Jünglinge, with a view to appropriating its effects for the groundbreaking Tomorrow Never Knows. Then in June 1967 the Beatles again paid homage to the composer by including his image in Peter Blake's collage on the front cover of Sgt Pepper's Lonely Hearts Club Band.

Inspired by Edgard Varèse and the Italian Futurists, Greek composer Iannis Xenakis came from a background of engineering, mathematics and architecture (he was an assistant of Le Corbusier) These interests combined to create a vibrant body of work which embraced orchestral and chamber works, vocal and computer-generated music; what the composer described as "absolute music with a computer, free of tradition and contemporary trends."

In 1960, Xenakis was commissioned by UNESCO to write the score to Enrico Fulchignoni's Orient-Occident, a film about civilisations around the world. What transpired was an uncompromising but elegant work that is regarded to be one of the composer's most accessible. Two years later, Xenakis determined to create a concert version, editing the original, twenty-two minute long soundtrack down to less than eleven minutes.

In 1956 the Hungarian György Ligeti composed the electronic conversation piece Artikulation after moving to Cologne into the same building as sound pioneers Karlheinz Stockhausen and Gottfried Michael Koenig. While its reported that he was highly influenced by the crazy electronic sounds he heard coming out of this building this is one of only two electronic pieces he composed before returning back to the instrumental medium. Ligeti's music is forever linked with the films of Stanley Kubrick, and, most famously, 2001: A Space Odyssey, the director's cinematic visualisation of alien intelligence, which utilises excerpts from Atmospheres, Lux Aeterna, Requiem (the Kyrie) and an electronically altered version of Aventures.

The juxtaposition of this music and images proved brilliantly effective and Kubrick turned again to Ligeti when making the The Shining and Eyes Wide Shut, using, respectively, Lontano for orchestra and the second movement of Musica ricercata. Through Kubrick's films therefore, Ligeti succeeded in reaching a far wider audience than most contemporary composers dare dream of.
We also celebrate the work of John Cage, one of America's most influential - and controversial - composers with the inclusion of two major works.

Cartridge Music (1960), derives from its use of "cartridges," phonograph pick-ups into which needles are inserted for playing recordings. Various suitable objects (toothpicks, matches, slinkies, piano wires, feathers, etc) are inserted in the cartridges. The sounds which result are noises, some complex, others extremely simple such as amplifier feed-back, loud-speaker hum, etc
Described by Cage as "a camera from which anyone can take a photograph," Fontana Mix (1958) was assembled at the Studio di Fonologia in Milan and finds the composer dividing his sound sources into six classes; city sounds, country sounds, electronic sounds, manually produced (meaning "instrumental") sounds, wind-produced sounds (such as singing), and small sounds that require amplification, such as crickets chirping. The work subsequently appeared in a number of contexts, here the soprano Cathy Berberian combines it with Aria, another Cage piece of similar vintage.

Available 19/08/2013

Our Price: £9.95

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