Push (Deluxe Edition) - Bros

Push (Deluxe Edition)
· Formed in the late 80’s Bros were a British band, consisting of twin brothers Matt Goss and Luke Goss along with Craig Logan. Formed in 1986, they were managed by former Pet Shop Boys manager Tom Watkins.
· Push was their debut album and was released in 1988. The album reached #2 on the UK Top 40 and spawned five hit singles, including ‘I Owe You Nothing’ which reached #1 in June 1988. The album went 4× Platinum in the UK and spent 54 weeks on the UK Top 75 Albums chart.
· This 3-CD version contains all the available B-Sides and remix versions including the rare drop The Boy art mix all re-mastered from the original tapes
· An enhanced booklet with new sleeve notes by Super Deluxe Edition’s Paul Sinclair tell the story of the album and its place in pop history – all this wrapped up in a oversize booklet with photos and covers from the period.

Available 28/10/2013


Our Price: £11.99
Code: CRPOPT137
Weight: 200
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1. WHEN WILL I BE FAMOUS?
2. drop THE BOY
3. TEN OUT OF TEN
4. LIAR
5. LOVE TO HATE YOU
6. I OWE YOU NOTHING
7. I QUIT
8. IT'S A JUNGLE OUT THERE
9. SHOCKED
10. CAT AMONG THE PIGEONS
11. I OWE YOU NOTHING (7” MIX)
12. I QUIT (SINGLE MIX) 
13. drop THE BOY (SINGLE EDIT) 
14. WHEN WILL I BE FAMOUS (SINGLE EDIT)

1. THE BOY IS DROPPED - B-SIDE drop THE BOY
2. SILENT NIGHT - B-SIDE CAT AMONG THE PIGEONS
3. SHOCKED (LIVE) - B-SIDE SILENT NIGHT
4. THE BIG PUSH OVERTURE - B-SIDE I QUIT
5. I OWE YOU NOTHING (THE SHEP PETTIBONE MIX)
6. I OWE YOU NOTHING (PETTIBEATS)
7. I OWE YOU NOTHING (THE VOICE)
8. I OWE YOU NOTHING (CLUB MIX)
9.I OWE YOU NOTHING (THE BEATS)
10.I OWE YOU NOTHING (OVER 18 MIX)
1. WHEN WILL I BE FAMOUS? (THE CONTENDER DUB MIX)
2. WHEN WILL I BE FAMOUS? (INFAMOUS MIX)
3. WHEN WILL I BE FAMOUS? (CLUB MIX)
4. WHEN WILL I BE FAMOUS? (ACAPELLA MIX)
5. WHEN WILL I BE FAMOUS? (BONUS BEATS)
6. DROP THE BOY (ART MIX)
7. DROP THE BOY (SHEP PETTIBONE DUB MIX)
8. DROP THE BOY (SHEP PETTIBONE MIX)
9. I QUIT (ACID DROPS)
10.I QUIT (THE 'TURN-ON' MIX)
11.I QUIT (THE ACIDIC MIX)
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SCARED TO GET HAPPY will be promoted by a mini-festival at London’s 229 club on June 22nd, with an impressive roster: the Primitives, the BMX Bandits, the Brilliant Corners, the June Brides, Mighty Mighty, the Wolfhounds, the Popguns, 14 Iced Bears, the Blue Orchids and Yeah Yeah Noh.  

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When Peabo Bryson and Roberta Flack teamed up in 1983 to record the Capitol album BORN TO LOVE, the pair had already experienced success as a duo thanks to the 1980 LP, Live & More (a Top 10 R&B best-selling album). By the time they headed into the studio to cut BORN TO LOVE, Bryson was six years into his recording career and had established himself as one of the premier black male vocalists of the day; Flack was already considered an internationally-renowned artist thanks to classic recordings such as ‘The First Time Ever I Saw Your Face’ and ‘Killing Me Softly With His Song.’
With tracks produced by songwriters Michael Masser, Bob Crewe and Bryson himself, BORN TO LOVE achieved gold status in the US as well as becoming both artists’ highest-charting international success. The impact of the now-classic single, ‘Tonight, I Celebrate My Love’ (co-written by Masser, then known for songs such as Diana Ross’ ‘Touch Me In The Morning’ and Natalie Cole’s ‘Someone That I Used To Love’ and Gerry Goffin) was global, reaching No. 2 on the UK charts, No. 10 in Australia, No. 4 in Canada and No. 16 in the US).
The album also included two other charted singles, ‘Maybe’ and ‘You’re Looking Like Love To Me’ while ‘Heaven Above Me’ got radio and club play in the UK.
This 2013 expanded edition of BORN TO LOVE includes three bonus tracks along with liner notes by Billboard Senior Editor, Gail Mitchell with new quotes from Roberta Flack.

Release Date: 17/06/2013
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Electronic Music for the Mind and Body
Five historic electronic compositions from a quartet of important modern twentieth century composers, Stockhausen, Cage, Ligeti and Xenakis.

With the breathtaking, meticulously organised Kontakte, Stockhausen demonstrated his musical and dramatical genius and that he was an incredible inventor of new sounds. The piece has been described as 'a unique document of analogue electronic music production methods, and a valuable guide to the composer's art of creative self-provocation.'

Kontakte is perhaps Stockhausen's best known work and this version for electronic sounds was realised by the composer between September 1959 and May 1960. The alternate, Kontakte for electronic sounds, piano and percussion, utilises the same electronic tape but did not emerge until later. In the sixties, everybody was talking about Stockhausen. Paul McCartney had Abbey Road engineers dissect Kontakte (along with the composers' other major work of the period, Gesang der Jünglinge, with a view to appropriating its effects for the groundbreaking Tomorrow Never Knows. Then in June 1967 the Beatles again paid homage to the composer by including his image in Peter Blake's collage on the front cover of Sgt Pepper's Lonely Hearts Club Band.

Inspired by Edgard Varèse and the Italian Futurists, Greek composer Iannis Xenakis came from a background of engineering, mathematics and architecture (he was an assistant of Le Corbusier) These interests combined to create a vibrant body of work which embraced orchestral and chamber works, vocal and computer-generated music; what the composer described as "absolute music with a computer, free of tradition and contemporary trends."

In 1960, Xenakis was commissioned by UNESCO to write the score to Enrico Fulchignoni's Orient-Occident, a film about civilisations around the world. What transpired was an uncompromising but elegant work that is regarded to be one of the composer's most accessible. Two years later, Xenakis determined to create a concert version, editing the original, twenty-two minute long soundtrack down to less than eleven minutes.

In 1956 the Hungarian György Ligeti composed the electronic conversation piece Artikulation after moving to Cologne into the same building as sound pioneers Karlheinz Stockhausen and Gottfried Michael Koenig. While its reported that he was highly influenced by the crazy electronic sounds he heard coming out of this building this is one of only two electronic pieces he composed before returning back to the instrumental medium. Ligeti's music is forever linked with the films of Stanley Kubrick, and, most famously, 2001: A Space Odyssey, the director's cinematic visualisation of alien intelligence, which utilises excerpts from Atmospheres, Lux Aeterna, Requiem (the Kyrie) and an electronically altered version of Aventures.

The juxtaposition of this music and images proved brilliantly effective and Kubrick turned again to Ligeti when making the The Shining and Eyes Wide Shut, using, respectively, Lontano for orchestra and the second movement of Musica ricercata. Through Kubrick's films therefore, Ligeti succeeded in reaching a far wider audience than most contemporary composers dare dream of.
We also celebrate the work of John Cage, one of America's most influential - and controversial - composers with the inclusion of two major works.

Cartridge Music (1960), derives from its use of "cartridges," phonograph pick-ups into which needles are inserted for playing recordings. Various suitable objects (toothpicks, matches, slinkies, piano wires, feathers, etc) are inserted in the cartridges. The sounds which result are noises, some complex, others extremely simple such as amplifier feed-back, loud-speaker hum, etc
Described by Cage as "a camera from which anyone can take a photograph," Fontana Mix (1958) was assembled at the Studio di Fonologia in Milan and finds the composer dividing his sound sources into six classes; city sounds, country sounds, electronic sounds, manually produced (meaning "instrumental") sounds, wind-produced sounds (such as singing), and small sounds that require amplification, such as crickets chirping. The work subsequently appeared in a number of contexts, here the soprano Cathy Berberian combines it with Aria, another Cage piece of similar vintage.

Available 19/08/2013

Our Price: £9.95

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