High In A Flat - Bevis Frond (The)

High In A Flat
•    16 track collection from the early years of celebrated cult neo-psychedelic, alternative rock band The Bevis Frond circa 1988-1991

•    Kick starting a re-issue campaign of 20 albums on limited edition vinyl and CD (with bonus tracks)

•    Focusing on main man Nick Saloman’s songwriting and taken from the ‘Miasma’, ‘Inner Marshland’, ‘Bevis Through The Looking Glass’, ‘Triptych’, ‘Any Gas Faster’ and ‘New River Head’ albums, it's a celebration of timeless alternative rock

•    Includes the super rare title track, originally released as a limited edition single via Bucketfull Of Brains magazine

•    For fans of Dinosaur Jnr, Teenage Fanclub and vintage UK psychedelia

•    Remastered from the original sound sources with sleevenotes by MOJO magazine’s Dave Henderson

•    This CD is released 14th April and will not be shipped prior to this date.

Track Listing:

3.    MAYBE        
6.    ONCE MORE        
7.    IN ANOTHER YEAR        
10.  CORINTHIAN        
12.  OLDE WORLDE        
13.  EAR SONG        
14.  HE'D BE A DIAMOND    
15.  WAVING        
Our Price: £9.95
Code: CDMRED611
Weight: 200
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And Other Bits Of Material / First Edition
•    This 31 track double CD combines the very first two albums by Paper Lace plus a handful of bonus tracks from assorted singles releases
•    Features the hits "Billy Don’t Be A Hero” (No.1), "The Night Chicago Died” (No.3) and "The Black Eyed Boys” (No.11) plus the non charting "Hitchin’ A Ride” and "So What If I Am”
•    Rounds up all of the bands recordings for the Concord and Bus Stop labels
Our Price: £9.95

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Paradise Lost: The Complete UK Fontana Recordings
Active throughout the second half of the Sixties, THE HERD started out as a promising young jazz/R&B club band before being picked up and groomed for stardom by DDDBM&T producer Steve Rowland and crack songwriting partnership Howard Blaikley.

With reluctant teen idol Peter Frampton anointed by the media as The Face of 68, the group scored a trio of major hit singles From The Underworld, Paradise Lost and I Don t Want Our Loving To Die - as well as cutting a fascinatingly idiosyncratic, critically-acclaimed album.

Taken from the master tapes, and with a lavish 16-page booklet that features a new essay on the band and some priceless period photos, Paradise Lost: The Complete UK Fontana Recordings assembles the Herd’s hugely entertaining body of work from their 1967-69 pop/psych glory years.
Our Price: £9.95

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Between The Sea And The Sky
Imagine coming off the back of a defunct group, with no hits, but who have admittedly just released one of the best pop psych singles in the UK ever, and being thrown into George Martins Air Studios on a publishing/production deal and told there you are boys "make an album".

A slight license with the factual there but essentially this is what happened to Martin Briley and Brian Engel .In 1969, late of Mandrake Paddle Steamer and their classic 'Strange Walking Man', these late teens art students were given access to Air Studios and budgets for orchestras plus musicians to come up with hit singles. What they actually came up with was an almost concept album that exhibited all that had influenced them to that point, and let loose their humour and imagination. Sadly with the exception of one single ('Pale Green Vauxhall Driving Man') released under the name Prowler, a couple of years after the event, the recordings lay on the shelf, and are released for the first time now.

Briley played with GreAenslade and then as session guitarist with the Hunter Ronson band, Meatloaf and Ellen Foley. Three solo albums and a US top 40 hit 'Salt In My Tears' followed. He continues as a songwriter for international artists and backing vocalist.

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United We Stand
In the beginning, Tony Hiller created The Brotherhood of Man. Formed in the recording studio and launched into a world at war over Vietnam, peace certainly won the day on vinyl in 1970 with the group‘s top ten single ‘United We Stand’ and accompanying album’s original sleeve notes announcing the groups arrival "with an eloquent and convincing plea to unite”.

The Brotherhood of Man would eventually win a very different war with a very different line-up in Europe at the Eurovision Song Contest in 1976. A different time, place, sound. RPM’s collection, concentrates on their old testament with chief peacemakers Johnny Goodison, Tony Burrows, Roger Greenaway, Hal Atkinson, Russell Stone and the brit girl sisterhood of Sue Glover and Sunny Leslie. Featuring the complete 1970 album now with corresponding non-album Asides and B-sides together with Sue and Sunny’s soulful Deram 45s from the same period. United We Stand unites the best session singers and songwriters of the late sixties and early seventies in total harmony with both their record buying public and the charts of the times.

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Inside The Hutt: New Zealand’s Pop-Psych Kingpins 1968-1969

  • In 2001, the Fourmyula’s 1969 New Zealand hit Nature was voted the country’s best pop
    song of all time by the Australasian
    Performing Right Association. The pop-psychedelic band beat Crowded
    House, Split Enz and indie legends The Chills.

  • Inside The Hutt: New  Zealand’s Pop-Psych Kingpins 1968-1969 compiles the best from this legendary band, an outfit that
    were in the top ten from moments after they formed.  It’s the first time they have been
    anthologised beyond New Zealand.

  • The Fourmyula formed in 1967 in Upper Hutt, a short distance
    from New Zealand’s capital Wellington. In New Zealand, they actually were as
    big as The Beatles and had sessions in London at Abbey Road, encountering the
    Fabs while there: even recording with the Mellotron used on Strawberry Fields
    Forever – their complete Abbey Road recordings are included on Inside The Hutt: New  Zealand’s Pop-Psych Kingpins 1968-1969.

  • The Fourmyula's poppy take on psychedelia was infectious. Yet
    they had their own sound, with hints of soul and Americana. They were one of
    New Zealand’s most influential bands.

  • During the punk and new wave era, when living in the UK, their
    drummer Chris Parry went on to work with The Jam and The Cure. This is where he began. The definitive liner notes tell
    his and the Fourmyula’s story.

Available 23/09/2013
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