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| ORIGINAL SOUNDTRACKS | pos | wks | entry |
| (Listings are alphabetical by title) | |||
| Albums | |||
| RETURN OF THE LIVING DEAD (Big Beat WIK 38) | 13 | 3 | 22/6/85 |
| SALVATION (Les Disques Du Crepescule TWI 774) | 8 | 2 | 27/2/88 |
| THE HITCH-HIKER'S GUIDE TO THE GALAXY (Original ORA 42) | 5 | 14 | 9/2/80 |
| THE HITCH-HIKER'S GUIDE TO THE GALAXY PART 2: | |||
| THE RESTAURANT AT THE END OF THE UNIVERSE (Original ORA 54) | 9 | 14 | 29/11/80 |
| VARIOUS ARTISTS COMPILATIONS | |||
| (Listings are alphabetical by overall title of compilation) | |||
| Singles/EPs | |||
| A COUNTRY FIT FOR HEROES (No Future Oi 3) (12" only) | 4 | 8 | 30/1/82 |
| A COUNTRY FIT FOR HEROES II (No Future 12 Oi 23) (12" only) | 14 | 7 | 30/4/83 |
| ACID HOUSE VOLA (BPM BPLP 001) | 7 | 4 | 13/8/88 |
| BOLLOCKS TO CHRISTMAS (EP) (Secret SHH 126) | 4 | 7 | 26/12/81 |
| BULLSHIT DETECTOR (Crass 421984/4) | 3 | 18 | 31/1/81 |
| DEVIL'S JUKEBOX, THE (Blast First boxed set) | 9 | 2 | 18/11/89 |
| EARCOM 3 (Fast Product 9c) | 7 | 12 | 19/1/80 |
| EUROPE IN THE YEAR ZERO (S-Phonograph SPH 1) | 46 | 2 | 21/8/82 |
| FOUR ON 4 (Big Beat SW 100) | 11 | 17 | 24/11/84 |
| HA HA FUNNY POLIS (EP) (Groucho Marxist COMMUNIQUE 2) | 45 | 1 | 2/2/80 |
| LOUD, PROUD AND PUNK (Total Noise TOT 1) | 5 | 10 | 19/6/82 |
| NEVER MIND THE JACKSONS, HERE'S THE POLLOCKS | |||
| (Abstract 12 ABS 030) | 37 | 6 | 23/2/85 |
| 1980: THE FIRST 15 MINUTES (Neutron NT 003) | 25 | 4 | 1/3/80 |
| PUNK'S DEAD(EP) (Pax PAX 7) | 15 | 4 | 12/3/83 |
| WAKE UP (EP) (Wake Up WOMBLE 1) (12" only) | 28 | 3 | 30/5/87 |
| WESSEX '82 (EP) (BLRWG FISH 1) | 5 | 10 | 19/2/83 |
| Albums | |||
| A FACTORY QUARTET (Factory FACT 24) | 8 | 7 | 17/1/81 |
| ACID BEATS 1 (Warrior WRLP 003) | 8 | 2 | 9/4/88 |
| ALIVE IN THE LIVING ROOM (Creation/Artefact CRELP 001) | 25 | 1 | 18/8/84 |
| ANGELS WITH DIRTY FACES (Future/No Future M PUNK 8) | 11 | 5 | 14/1/84 |
| AVON CALLING - THE BRISTOL COMPILATION (Heartbeat HB 1) | 14 | 2 | 19/1/80 |
| BACKSTAGE PASS (Supermusic SUP LP 2001) | 18 | 3 | 1/11/80 |
| BEST OF INDIE POP VOLUME 2 (Strange Fruit) | 5 | 8 | 26/9/87 |
| BEYOND THE SOUTHERN CROSS ((Ink INK 4D) | 10 | 5 | 16/2/85 |
| BEYOND THE WILDWOOD - A TRIBUTE TO SYD BARRETT (Imagina ILLUSION 00) | 10 | 6 | 6/6/87 |
| BIG BEAT BEACH PARTY (Big Beat WIKM 39) | 23 | 2 | 8/3/86 |
| BIRTH OF Y (Y Y 33 1/3) | 23 | 5 | 18/12/82 |
| BLOOD ON THE CATS (Anagram GRAM 009) | 5 | 8 | 19/11/83 |
| BOLOX TO THE GONADS - HERE'S THE(Pax PAX 14) | 6 | 13 | 10/9/83 |
| BOUQUET OF STEEL (Aardvark STEAL 2) | 15 | 7 | 21/6/80 |
| BUGS ON THE WIRE (Leghorn) | 17 | 10 | 11/7/87 |
| BULLSHIT DETECTOR VOLUME 2 (Crass 221984/3) | 4 | 19 | 16/10/82 |
| BULLSHIT DETECTOR VOLUME III (Crass 1984/3) | 5 | 10 | 17/11/84 |
| BURNING AMBITIONS - A HISTORY OF PUNK (Cherry RED DRIED 3) | 10 | 10 | 11/12/82 |
| C-81 (Rough Tapes COPY 001) | 17 | 5 | 27/6/81 |
| CARRY ON OI! (Secret SEC 2) | 4 | 19 | 31/10/81 |
| CD-88 (Beechwood CD 88) | 13 | 2 | 3/12/88 |
| CHESS - THE RHYTHM & BLUES (Charly SAM 500) | 8 | 4 | 3/9/88 |
| CHICAGO JACKBEAT VOLUME 1! (Rhythm King LEFTLP 2) | 7 | 7 | 6/6/87 |
| DAFFODILS TO THE DAFFODILS, HERE'S THE(Pax PAX 19) | 18 | 3 | 29/9/84 |
| DEF BEATS VOL1 (Music Of Life MODEF 1) | 9 | 4 | 16/5/87 |
| DEMO-LITTON BLUES (Insane LP 1) | 7 | 6 | 27/8/83 |
| DEVASTATE TO LIBERATE (Yangki YANGKI 1) | 22 | 5 | 21/12/85 |
| DOING IT FOR THE KIDS (Creation CRELP 037) | 1 | 16 | 20/8/88 |
| EAST (Dead Good GOOD 1) | 19 | 2 | 8/3/80 |
| FACTORY BENELUX GREATEST HITS (Factory Eienelux FBN 27) | 21 | 3 | 7/1/84 |
| FUNKY ALTERNATIVES (Concrete Productions CPRODLP 001) | 9 | 6 | 22/11/86 |
| GARAGE SOUND OF DEEPEST NEW YORK, THE | |||
| (Republic LICLP 010) | 5 | 7 | 24/12/88 |
| GET PRIMITIVE (Hit Records) | 21 | 2 | 29/11/86 |
| GOT TO GET YOUR OWN (Charly CRM 2034) | 18 | 3 | 10/10/87 |
| GRIND CRUSHER - THE EARACHE SAMPLER (Earache MOSH 12) | 2 | 6 | 12/8/89 |
| GUILLOTINE/LIVE AT THE ELECTRIC CIRCUS | |||
| (Cherry Red VCL 5001) | 12 | 9 | 6/9/80 |
| GUITAR MASTERS (Roadrunner RR 94832) | 19 | 2 | 4/3/89 |
| GYRATIONS ACROSS THE NATIONS (Hybrid HYBRID 1) | 23 | 2 | 18/5/85 |
| HARD AS HELL (Music Of Life MODEF 2) | 13 | 9 | 26/9/87 |
| HARD AS HELL VOL.3 (Music Of Life MODEF 3) | 15 | 2 | 2/7/88 |
| HARDCORE HOLOCAUST (Strange Fruit SFRLP 101) | 16 | 2 | 29/10/88 |
| HEAD OVER EARS (Debris DEC 007) | 17 | 4 | 7/11/87 |
| HICKS FROM THE STICKS (Rockburgh ROC 111) | 6 | 8 | 26/4/80 |
| HIT FACTORY: THE BEST OF STOCK AITKEN WATERMAN VOL. 2, THE(PWL/Fanfare HF 4) | 13 | 4 | 10/12/88 |
| HIT FACTORY 3 (PWL/Fanfare HF 8) | 7 | 5 | 22/7/89 |
| HITS AND CORRUPTION (Vuggum BAAD 1) | 30 | 1 | 24/5/86 |
| HOT COOKIES (Cooking Vinyl GRILL 002) | 10 | 2 | 4/6/88 |
| HOUSE INDIE TOP 20 (Beechwood TT 042) | 20 | 1 | 9/7/88 |
| HOUSE X.TER.C (Low Fat Vinyl XTER 1) | 15 | 3 | 5/11/88 |
| IDEAL GUEST HOUSE (Shelter) | 9 | 6 | 27/12/86 |
| IN LOVE WITH THESE TIMES (Flying Nun UK FNE 28) | 20 | 1 | 3/6/89 |
| INDUSTRIAL RECORDS STORY, THE (Illuminated JAMS 39) | 19 | 1 | 30/6/84 |
| IMMINENT 3 (Food BITE 3) | 29 | 1 | 7/6/86 |
| INDIE TOP 20 (Band Of Joy TT 01) | 4 | 11 | 25/4/87 |
| INDIE TOP 20, VOLUME 3 (Beechwood TT 03) | 7 | 2 | 12/3/88 |
| INDIE TOP 20, VOLUME 5 (Beechwood TT 05) | 10 | 3 | 8/10/88 |
| INDIE TOP 20, VOLUME 7 (Beechwood TT 07) | 15 | 2 | 7/10/89 |
| IT'S A CRAMMED, CRAMMED, CRAMMED WORLD! (Crammed Discs CRAM 033) | 16 | 3 | 8/9/84 |
| IT'S DIFFERENT FOR DOME HEADS (Creation CRELP 5) | 4 | 21 | 5/10/85 |
| JACK THE TAB (Castalia ACID 001) | 13 | 3 | 27/8/88 |
| JACKBEAT (Rhythm King LEFTLP 3) | 15 | 3 | 27/12/86 |
| JUST SEVENTEEN - HEARTBEATS (Fanfare FARE 1) | 8 | 1 | 14/10/89 |
| LE MYSTERE DES VOIX BULGARES (4AD CAD 603) | 9 | 11 | 21/6/86 |
| LE MYSTERE DES VOIX BULGARES, VOLUME 2 (4AD CAD 801) | 7 | 3 | 12/3/88 |
| LET THEM EAT JELLYBEANS (Alternative Tentacles VIRUS 4) | 10 | 11 | 7/11/81 |
| LET'S TRY ANOTHER IDEAL GUEST HOUSE (Shelter) | 15 | 4 | 22/8/87 |
| LIVE AND HEAVY (NEMS NEL 6020) | 14 | 5 | 19/12/81 |
| LONELY IS AN EYESORE (4AD CAD 703) | 2 | 17 | 4/7/87 |
| MANCHESTER: NORTH OF ENGLAND (Bop BC 001) | 20 | 2 | 24/12/88 |
| MODERN DANCE (K-Tel NE 1156) | 23 | 3 | 26/12/81 |
| NIPPED IN THE BUD (Rough Trade ROUGH 57) | 15 | 5 | 16/4/83 |
| NME C86 (Rough Trade ROUGH 100) | 3 | 24 | 13/12/86 |
| NORTH ATLANTIC NOISE ATTACK (Manic Ears ACHE 17) | 15 | 2 | 22/4/89 |
| NOTHING SHORT OF TOTAL WAR (Blast First BFFP 013) | 4 | 4 | 11/11/89 |
| OI! OF SEX, THE (Syndicate SYN LP 4) | 11 | 4 | 18/8/84 |
| ON THE SOUL SIDE (Kent KENT 006) | 19 | 2 | 25/2/84 |
| ONES ON 1 (BBC REF 693) | 9 | 2 | 22/10/88 |
| OOPS! WRONG STEREOTYPE (Alternative Tentacles VIRUS 68) | 15 | 1 | 29/10/88 |
| OUT TO LUNCH WITH AHEAD OF OUR TIME (Ahead Of Our Time) | 6 | 8 | 13/8/88 |
| PARADISE A-GO-GO (Rhythm King LEFTLP 4) | 24 | 3 | 21/11/87 |
| PAY IT ALL BACK, VOLUME 1 (On-U Sound ONULP 1) | 3 | 14 | 1/12/84 |
| PAY IT ALL BACK, VOLUME 2 (On-U Sound ONULP 42) | 4 | 8 | 3/12/88 |
| PE.A.C.E. COMPILATION (R.Radical RR 1984) | 16 | 1 | 30/2/85 |
| PEEL SESSION SAMPLER, THE (Strange Fruit SFRLP 100) | 19 | 1 | 5/11/88 |
| PILLOWS AND PRAYERS (Cherry Red ZRED 41) | 1 | 47 | 25/12/82 |
| PRIDE OF THE INDEPENDENTS (Beechwood TT 06) | 18 | 2 | 6/5/89 |
| PUNK AND DISORDERLY (Abstract AABT 100) | 3 | 29 | 27/3/82 |
| PUNK AND DISORDELY - FURTHER CHARGES (Anagram GRAM 001) | 6 | 12 | 4/9/82 |
| PUNK AND DISORDERLY III - FINAL SOLUTION (Anagram GRAM 005) | 10 | 8 | 11/6/83 |
| RAGING SUN (Rouska RANT 001) | 26 | 2 | 30/11/85 |
| RECORDER, THE (Bristol Recorder BR 02) | 18 | 1 | 21/2/81 |
| REVENGE OF THE KILLER PUSSIES (Anagram GRAM 17) | 2 | 7 | 27/10/84 |
| RHYTHM KINGDOM, THE (Rhythm King LEFTLP 5) | 7 | 2 | 27/2/88 |
| RIOTOUS ASSEMBLY (Riot City ASSEMBLY 1) | 9 | 8 | 26/6/82 |
| ROCKABILLY PSYCHOSIS/GARAGE DISEASE (Big Beat WIK 18) | 1 | 18 | 21/7/84 |
| SECOND CITY STATIK - A GLASGOW COMPILATION (Statik 01) | 17 | 1 | 28/6/80 |
| SEEDS 1: POP (Cherry Red B RED 74) | 24 | 3 | 11/4/87 |
| SENT FROM COVENTRY (Kathedral/Cherry Red KATH 1) | 18 | 4 | 21/6/80 |
| SHADOW FACTORY (Sarah SARAH 587) | 18 | 1 | 10/12/88 |
| SMACK MY CRACK (Giorno Poetry Systems GPS 030) | 13 | 5 | 30/5/87 |
| SON OF OI! (Syndicate SYNLP 2) | 10 | 5 | 3/12/83 |
| SOUND OF SUN, THE (Sun SAM 3) | 5 | 5 | 27/8/88 |
| SOWETO (Rough Trade ROUGH 37) | 11 | 6 | 4/9/82 |
| STARS ON THRASH (Roadrunner RR 94981) | 10 | 2 | 26/11/88 |
| STATE OF THE UNION (Dischord DISCHORD 32) | 17 | 2 | 3/6/89 |
| STOMPING AT THE KLUB FOOT (ABC ABCLP 3) | 7 | 10 | 22/12/84 |
| STOMPING AT THE KLUB FOOT, VOLUME 2 (ABC ABCLP 6) | 7 | 12 | 30/11/85 |
| STOMPING AT THE KLUB FOOTS, VOLUMES 3 & 4 (ABC ABCLP 8) | 4 | 8 | 6/12/86 |
| STOMPING AT THE KLUB FOOT, VOLUME 5 (ABC ABCLP 15) | 7 | 2 | 26/3/88 |
| STREET TO STREET - A LIVERPOOL COMPILATION (Open Eye OE 501) | 13 | 2 | 19/1/80 |
| SUENO: MEDITERRANEAN DANCE (BCM BCM 333 LP) | 15 | 4 | 16/12/89 |
| TAKE THE SUBWAY TO YOUR SUBURB (Subway Organisation SUBORG 001) | 2 | 14 | 3/1/87 |
| THEY SHALL NOT PASS (Abstract AABT 400) | 23 | 2 | 20/3/85 |
| THIS HOUSE IS NOT A MOTEL (Glitterhouse EFA 4481) | 15 | 2 | 3/6/89 |
| THIS IS CHARLY SOUL (Charly SAM 101) | 29 | 1 | 17/10/87 |
| THIS IS OI! (Oi! OIR 004) | 30 | 1 | 1/3/86 |
| 'TLL THINGS ARE BRIGHTER (Red Rhino REDLP 088) | 6 | 5 | 27/8/88 |
| TIME BETWEEN (A TRIBUTE TO THE BYRDS) (Imaginary ILLUSION 004) | 10 | 3 | 1/7/89 |
| TO THE SHORES OF LAKE PLACID (Zoo ZOO 4) | 7 | 9 | 20/3/82 |
| UNITED SKINS (Boots And Braces SKREWLP 1) | 28 | 3 | 20/11/82 |
| UPPERS ON THE SOUTH DOWNS (Safari UPP 1) | 12 | 5 | 1/3/80 |
| VAULTAGE '79 (Attrix RB 08) | 8 | 6 | 9/2/80 |
| WE DON'T WANT YOUR FUCKING WAR (Fightback LP FIGHT 5) | 4 | 9 | 2/2/85 |
| WE WON'T BE YOUR FUCKING POOR (Mortarhate MORT 13) | 22 | 4 | 1/3/86 |
| WELCOME TO 1984 (Maximum Rock'n'Roll MRR 001) | 14 | 3 | 23/6/84 |
| WET DREAMS (Rot ASS 4) | 22 | 2 | 31/3/84 |
| WHIP, THE (Kamera KAM 014) | 3 | 9 | 14/5/83 |
| WHO? WHAT? WHY? WHERE? WHEN? (Mortarhate MORT 4) | 3 | 17 | 24/3/84 |
| WILD SUMMER WOW (Creation CRE 002) | 25 | 1 | 6/10/84 |
| WONDERFUL BRISTOL RECORDER, THE (Bristol Recorder BR 001) | 18 | 4 | 4/10/80 |
Please note these tracks were compiled
for the Indie Hits book and are not
necessarily available to buy from Cherry Red Records.